Reviewed by Caron Andregg As I am finishing up writing this review of The Poetry of Chūya Nakahara: Japan’s Modernist Master, (Tuttle, 2026), the
Reviewed by Kathy Nelson “Dusk is a mouthful of loose teeth, the sky / darkening toward a black eye” writes Lindsay Wilson, signaling with
Reviewed by Freesia McKee What strikes me most about How Blood Works by Ellene Glenn Moore is how each poem functions as ekphrasis. The
Reviewed by Jocelyn Heath Much about Alison Stone’s To See What Rises defies expectation. There are no tidy sections, no artistic titling, and none