Reviewed by Caron Andregg As I am finishing up writing this review of The Poetry of Chūya Nakahara: Japan’s Modernist Master, (Tuttle, 2026), the
In The Floating Bridge, David Shumate vanquishes once and for all the notion that the prose poem is somehow inherently ‘not a real poem.’
It is, at first, incredibly difficult to give Gray Jacobik's Little Boy Blue the time it deserves. One long poem separated into a series