Reviewed by Caron Andregg As I am finishing up writing this review of The Poetry of Chūya Nakahara: Japan’s Modernist Master, (Tuttle, 2026), the
Reviewed by Basia Wilson In crafting a poem, any good poet knows to consider the myriad ways a reader may approach their work. Take,
Reviewed by Susan Azar Porterfield “I make no excuses…. I’m a writer./I can’t help but tell you how it was….” These lines appear in
Reviewed by Abbie Kiefer Meghan Sterling’s View from a Borrowed Field offers its central tenet in “Stone Fields with First Snow,” the collection’s preface