Reviewed by Caron Andregg As I am finishing up writing this review of The Poetry of Chūya Nakahara: Japan’s Modernist Master, (Tuttle, 2026), the
With a voice that’s clear, collective, contemporary, and feminine, Bully Love begins in a storm, a desert dust storm “forty stories tall.”
Review by Angela Gregory-Dribben Susana H. Case’s Dead Shark on the N Train, proof of a poet’s practice in discernment, demonstrates the existence, and
Review by Angela Dribben Lucy Griffith opens We Make a Tiny Herd with La Reina, the lens with which I will always view the