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I Muse in Holy Week
by Mercedes Lawry

The heart is a broken record, a botched
detour, a scallywag, a scab.
Mourning does not rescue or provide an exit.
The slender apple boughs arch and fiddle
in the light wind. Clouds are deep
groans, too close to the sorrow, too far
from the feckless sun. April greens
struggle against the leaden grays.
I only have false gods but in a momentary
trick of light, I see the shape
of a red petal, a dogwood leaf, the rising
shoots of lilies of the valley,
and feel myself rooted in the spring mud.

 

Published in Cider Press Review, Volume 22, Issue 1.

Mercedes Lawry has published poetry in such journals as Poetry, Nimrod, and Prairie Schooner. She’s published three chapbooks, the latest, “In The Early Garden With Reason” was selected by Molly Peacock for the 2018 WaterSedge Chapbook Contest. Her full manuscript “Small Measures” is forthcoming from Twelve Winters Press. She’s also published short fiction and stories and poems for children.

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The Chaos of Spring
by Judith Hoyer

The Weber is grill still, front teeth cracked, spilled
legs airing indecently on the flagstone
a mark of last week’s violent spent wind
our neighbor saying his dock got knocked, lost
then bonded with the bottom of the pond.

Some things lie suffering until they’re spied
which is like the skylight frame that’s fraying paint
water damage seen when spring sun seeps in
like your stomach spotted behind your heart:
canned goods boxing pasta for cabinet space.

Your doctors say some things will have to change
organs need pulling down, stitched and rearranged
I gulp a green iron pill, breathe black tea
and sentence penciled worries to wither
inside a Chinese vase, jay blue and tiny.

 

Published in Cider Press Review, Volume 22, Issue 1.

Judith Hoyer’s 2017 chapbook “Bits and Pieces Set Aside” was nominated for a Massachusetts Book Award by the publisher of Finishing Line Press. Her recent poems appear in or are forthcoming from CALYX Journal, Southwest Review, The Examined Life, The Moth Magazine (Irish) and The Worcester Review.

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Footprint
by Charles Wyatt

Dog’s footprint in the muddy sidewalk
here where the slab has shifted and sunk
a miniature alluvial plane has grown

I take yellow bucket and a milking stool
scrape up the unwilling earth
with any gardening tool I can find

haul it to the backyard—a small pile
for all that trouble—my knees and back
don’t like this kind of work

Roots of a departed maple tree
have rotted away—the sidewalk slants
and traps rain—my Sea of Azof

Standing in my front doorway
those years back watching rain
and hearing its pink noise my own waterfall

I saw the wind take down the tree
or I saw the letting go a fall so fast
I still saw it standing only the rain falling

 

Published in Cider Press Review, Volume 22, Issue 1.

Charles Wyatt is the author of two collections of short fiction, a novella, and two poetry chapbooks. He holds degrees from the Curtis Institute of Music, The Philadelphia Musical Academy, and Warren Wilson College. He presently teaches for UCLA Extension and in the Low Residency MFA Program of the University of Nebraska. Before devoting himself exclusively to writing and teaching, he was principal flutist of the Nashville Symphony for 25 years.

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