In our newest December issue, the speakers of various poems find themselves recalling the past, consciously or unconsciously. In “Tai Ma” by Angela Siew,
In our newest December issue, the speakers of various poems find themselves recalling the past, consciously or unconsciously. In “Tai Ma” by Angela Siew,
after Rose-Lynn Fisher’s “after goodbye” from The Topography of Tears like stitches like scratches like scars on the skin like crossroads littered like pavement